Two subjects, one kind of light.
Herons on a drawn-down bank at eight in the evening, and a Mustang on a tree-lined road at seven thirty. Both are about being in the right place when the light goes good — and waiting.
Pick a Door
frames in sets. Sequences stay together — a seven-frame heron strike is one entry, not seven.
Field Work
Species and behaviour from public trails — Brazos Bend, John Paul Landing, George Bush Park, the Katy prairie. Identified to species where a silent frame allows it, and to genus where it does not.
Automotive
Night meets, two-steps and blue hour lineups — and, increasingly, cars shot in the same evening light as the birds instead of under a gas-station canopy.
Three That Stand Out
One from each side of the work, plus the sequence that took the longest to earn.
Browse by Category
Every frame carries its location, date and exposure. Click any image to read it.
Featured Work
Alternating field and automotive, because both are the point.